All FURINI, Francesco 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
Choice ID Image  Painting (From A to Z)       Details 
78895 Artemisia Prepares to Drink the Ashes of her Husband  Artemisia Prepares to Drink the Ashes of her Husband   ca. 1630(1630) Medium Oil on canvas Dimensions 79.4 x 66.7 cm (31.3 x 26.3 in) cyf
6735 Judith and Holofernes sdgh  Judith and Holofernes sdgh   1636 Oil on canvas, 116 x 151 cm Galleria Nazionale d'Arte Antica, Rome
28651 Lot and his daughters  Lot and his daughters   mk61 c.1634 Oil on canvas 123x120cm
6736 Lot and his Daughters df  Lot and his Daughters df   Oil on canvas, 123 x 120 cm Museo del Prado, Madrid
28937 Poetry and Painting  Poetry and Painting   mk65 Oil on canvas 70 7/8x56 5/16in Pitti,
96048 St John the Evangelist  St John the Evangelist   1630s Medium oil on canvas cyf
6737 St John the Evangelist dfsd  St John the Evangelist dfsd   1630s Oil on canvas Mus??e des Beaux-Arts, Lyon
6734 The Birth of Rachel dgs  The Birth of Rachel dgs   Oil on canvas, 189 x 232 cm Alte Pinakothek, Munich
96283 The Three Graces  The Three Graces   after 1638 Medium oil on canvas Dimensions 220 X 175 cm (86.6 X 68.9 in) cyf
58451 Vanity  Vanity   mk261 Florence about 1630 oil painting on canvas 83 x 90 cm
FURINI, Francesco
Italian Baroque Era Painter, 1603-1646 Italian painter. He was one of the leading Florentine painters of the first half of the 17th century, famous for the ambiguous sensuality and sfumato effects of his many paintings of female nudes. He first studied with his father, Filippo Furini, nicknamed Pippo Sciamerone and described by Baldinucci as a portrait painter, and he completed his apprenticeship in the studios of Domenico Passignano and of Giovanni Bilivert. Inspired by an admiration for Classical sculpture, which he studied in the Medici collection in Florence, and for Raphael, he travelled to Rome, which he reached as early as 1619 (Gantelli, see 1972 exh. cat.). Here he came into contact with Bartolomeo Manfredi and with Giovanni da San Giovanni. In 1623 he assisted the latter on the frescoes of the Chariot of the Night in the Palazzo Bentivoglio (now Pallavicini-Rospigliosi), commissioned by Cardinal Guido Bentivoglio, and also perhaps on the lower paintings (1623-4) in the apse of the church of SS Quattro Coronati, Rome.



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